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Home / THEATRE / Take Me Home, Country Roads: A Theatre Review
THEATRE

Take Me Home, Country Roads: A Theatre Review

Near Broadway perfection is occurring 8 times a week at the Stephen Sondheim Theater with the latest revival of Horton Foote’s 1953 classic play, “The Trip…

RRyan LeedsAugust 5, 20132 min readShare on XShare on FacebookShare by email

Near Broadway perfection is occurring 8 times a week at the Stephen Sondheim Theater with the latest revival of Horton Foote’s 1953 classic play, “The Trip to Bountiful”.  Set in 1950s Texas, this poignant piece tells the story of Mrs. Carrie Watts, an aging widow whose only wish is to visit her childhood country home one last time. Barring her request stands her overprotective son, Ludie, and his all too cosmopolitan wife, Jessie Mae, with whom Carrie shares an apartment in Houston.   Carrie is played with such exquisite elegance and “chutzpah” by the remarkable Cicely Tyson that there is no question why Tony voters awarded her with the leading lady prize this year.  Tyson breathes incredible zest into this faithful yet complex Christian lady who ultimately seeks the serenity she once had at her former homestead.  Once bound by the confines of her daughter-in-law who forbids hymn singing, Carrie ultimately becomes free to sing her favorite church songs whenever she pleases. At one point in the show, her  versions of “Blessed Assurance” and “Softly and Tenderly “ are met with an audience sing-along (normally something I would loathe in any live theater performance, but surprisingly found moving and sweet this time around.)

Vanessa Williams shines as Jessie Mae, whose constant irritations in life are driven by the mere presence of her mother-in-law.   Adepero Oduye  makes an impressive Broadway debut as Thelma, a sweet young lady who shares her personal story and a gentle kindness with Carrie during her trek.  A usually likeable Cuba Gooding, Jr. also makes his Broadway debut as Ludie Watts. Unfortunately, his performance is  not to the caliber of his peers. Gooding’s  acting choices are often unclear and inconsistent.

The production team  deserves special mention here as well. Jeff Cowie’s sets, Van Broughton Ramsey’s costumes, and Rui Rita’s Lighting all help to evoke vintage Southern  gentility and warmth.

On  the  hyper-spectacled Great White way, it is refreshing to see a play whose primary focus is on character development and heart-felt story telling.  At the performance I attended, the audience leapt to their feets with applause and affirmation at the curtain call—proof that patrons will support  quality and excellence.   With summer vacations now upon us, plan a stay-cation and take a  “trip” to the Stephen Sondheim Theatre on W. 43rd st.  Your heart and mind will thank you.

“The Trip To Bountiful” plays through Oct. 9, 2013 at the Stephen Sondheim Theater  124 West 43rd street. Tickets available at the box office,www.telecharge.com, or by phone:  (800) 432-7250

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About Ryan Leeds

is a freelance writer living in the Hell's Kitchen section of New York City. A proud native of Central Pennsylvania, he holds a degree in Communications from Penn State University. He attends theater frequently and annoys his friends and colleagues by chattering incessantly about his passion for it.

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